November 3, 2016 by socialaction2014
http://democracynow.org – Ava DuVernay’s new documentary chronicles how our justice system has been driven by racism from the days of slavery to today’s era of mass incarceration. The film, “13th,” is named for the constitutional amendment that abolished slavery with the exception of punishment for crime. The United States accounts for 5 percent of the world’s population, but 25 percent of its prisoners. In 2014, more than 2 million people were incarcerated in the United States—of those, 40 percent were African-American men. According to the Sentencing Project, African-American males born today have a one-in-three chance of going to prison in their lifetimes if incarceration trends continue. We speak to Ava DuVernay. Her previous work includes the hit 2014 film “Selma.” With “Selma,” DuVernay became the first African-American female director to have a film nominated for Best Picture at the Academy Awards.
The title of Ava DuVernay’s extraordinary and galvanizing documentary 13TH refers to the 13th Amendment to the Constitution, which reads “Neither slavery nor involuntary servitude, except as a punishment for crime whereof the party shall have been duly convicted, shall exist within the United States.” The progression from that second qualifying clause to the horrors of mass criminalization and the sprawling American prison industry is laid out by DuVernay with bracing lucidity. With a potent mixture of archival footage and testimony from a dazzling array of activists, politicians, historians, and formerly incarcerated women and men, DuVernay creates a work of grand historical synthesis. Now Streaming on Netflix.
Review: ‘13TH,’ the Journey From Shackles to Prison Bars
Powerful, infuriating and at times overwhelming, Ava DuVernay’s documentary “13TH” will get your blood boiling and tear ducts leaking. It shakes you up, but it also challenges your ideas about the intersection of race, justice and mass incarceration in the United States, subject matter that could not sound less cinematic. Yet Ms. DuVernay — best known for “Selma,” and a filmmaker whose art has become increasingly inseparable from her activism — has made a movie that’s as timely as the latest Black Lives Matter protest and the approaching presidential election.